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Sunday, June 26, 2011

Gigging stories: Foreplay at a funeral


I called the funeral home and told them I was available to play the service. The woman said, "Great! Could you call the husband. His name is Hans Kraus. I will warn you, he has a very thick accent, and he's hard to understand." "It's OK, I replied, I have enough German to communicate with him." "Oh, that's great," she said. "Well, give him a call, he's very anxious."

I dialed the number and heard his very German sounding, "Hallo." I responded in my best German, "Hallo. Here speaks Kurt Knecht. I am an organ player. I can play for the 'Godly service of sorrow' for your wife."
"This is wonderful!" he replied. "Are you from Germany?"
"No. I am coming out of America. It does me great sorrow, but my German is very poor."
"But you have a German name."
"Yes. My parents are Lutheranish, and therefore have I a good German name."
At this point, Hans sped of in such fast German that I couldn't keep up. I asked him to switch to English. He told me about his wife and his determination to go on with life despite the loss. We agreed to talk in a few days to finalize the funeral plans.

When the call came on Thursday night, we exchanged a few pleasantries in German, and he began talking about the service. I said, "Oh, Herr Kraus! We have to do this in English. I want to make sure we get it right."
"Ah, OK. Koort, wass I am sinking is zat as people are comink in, you will be playing some moosick, und zis I have labeled in ze program as 'foreplay'."
My mind began to race. I realized what he had done. In German, the word spiel means "play". You simply attach the prefix vor to indicate the "playing before". Herr Kraus had chosen the direct method and had translated the word vorspiel as "foreplay".
"Oh...Herr Kraus," I said, switching back to German. "This word means something very different in English than it does in German."
"Ah...yes...," he replied switching us back to English. "I am familiar."
"Why don't you use 'prelude' instead?"
"Zis sounds much better!"
"Yes. Um...Herr Kraus...do you have 'afterplay' written too?"
"Ja."
"Why don't you try 'postlude'. That's what we normally use in English."
"Zis sounds better too!"
The funeral home was so grateful that I had caught the mistake. It turned out that he was on his way to Kinkos to have the programs copied. He decided to call me first, "just to confirm a few details."

My only regret is that the mistake didn't go through. If I ever had a copy of the original funeral program that said at the top, "Foreplay by Kurt Knecht", I would have had it framed.

Wednesday, June 22, 2011

Gigging stories: The Purple Gift Bag or The Death of Bun Bun concluded



After the church fired me, re-hired me the following day, subsequently docked my pay and screamed at my wife over a dispute about when we actually moved out of the old parsonage, I resigned. A final Sunday of employment was set. The Methodist Book of Discipline does not provide instruction for the eventuality of a Music Director being fired for killing a rabbit. The church had to improvise. After a brief discussion about what John Wesley may have done in such a case, they decided to hold a reception following my final worship service. Though many in the church leadership were not pleased with me, they felt it necessary to allow the congregation the opportunity to give cards and gifts and goodbyes.

I was working “part-time” for the church about 50 or 60 hours a week. I was also teaching a few classes at the University of Tampa and gigging out here and there. A local jazz singer asked if I would find a guitar player and meet her for a job in Deland on the same day as the reception. Deland is about two hours from Tampa. I took the job knowing that I would get to duck out of the reception early.

We had built a “little big band” at the church and were doing a service that was using original swing and funk charts. The weekly task of writing parts for a ten-piece band was overwhelming. On Saturday evening, I began finalizing the charts for my last service. I finished printing parts at 6:00AM. I slept for one hour, got up, and went to work. My final services at the church were uneventful. The sermon was mildly humorous. Most of the pastors for whom I have worked have a fascinating talent that they develop in seminary. They take a passage of Scripture, make it say what they want it to say and simultaneously bore you nearly to death. This Sunday was no exception to this technique. By the end of thirty minutes, we all understood the real meaning of the text he had chosen from I Corinthians: Just because Kurt is leaving does not mean that the church will fall apart. NOBODY LEAVE! ALL THE EXITS ARE LOCKED!

The reception itself was lovely. The congregation was as wonderful as they had always been to me. It should be noted that they were not informed about Bun Bun’s demise. Many gave cards with checks or cash inside. After twenty minutes at the reception, I grabbed my guitar player and headed towards Deland. I left Jenn to collect the remaining thank you cards. She placed all of them inside a small purple gift bag and brought them home. With the thrill of finally having left employment still pumping in my veins, we made it to Deland in an hour and a half. Despite having only one hour of sleep, I found my body invigorated. (Since the occurrence of these events, I have had the opportunity to speak with five other church musicians who have all confirmed the experience of a post resignation euphoria that accompanies leaving United Methodist institutions.)

When a local jazz singer asks you to meet her in Deland for a gig with a guitar player to accompany her gospel choir, it is important to pick the right guitar player for the job. I had originally hired the J-Dog as a trombone player for the little big band at church. I soon found that he was also a proficient bassist. He could also sub on keyboards when I went on vacation. Though the J-Dog could do all these things, I found that his real love was writing quirky little original songs for the local music scene. (Check out his latest project here.) The J-Dog’s playing was always surprising. When I played with the J-Dog, I felt like I was back on the seesaw in elementary school. While I was enjoying the gentle rhythm of the rise and fall, the kid on the other end would throw me a curve and jumped off. When I played with the J-Dog, I always had to be ready to throw down my feet to catch myself. The J-Dog was not the big mean kid that jumped off the seesaw in order to hurt you. The J-Dog was just throwing some excitement into the game for fun. I also knew that the J-Dog was not uncomfortable playing gigs that were slightly unconventional. The particular singer that had booked us was so talented that she could carry a show by herself without a band. I once saw her playing an outside gig where the soundboard fried in the sun. When the main speakers went dead, she continued the show a cappella without a mic and kept the crowd’s attention until a solution was found. This fantastical giftedness also came with a tendency for calling tunes that were unfamiliar to the entire band. I knew that the J-Dog’s seesaw would be a perfect match for the singer’s unpredictability.

When we arrived, we found a church with about six hundred people waiting for us to perform. The singer had confused the times, and we quickly set up in front of the audience. The singer and her gospel choir filled the entirety of the stage area. The band had to set up on the ground at stage right. My eyes were level with the singer’s shoes. The J-Dog stayed close to the piano. Behind me was an old black man with a beat up electric bass. Young white musicians like the J-Dog and I love to play with old black men. It’s a matter of reverence for the creators of America’s music. We introduced ourselves. The singer’s son was playing the drums. With a brief sound check, we started the concert. By the third song, the singer did her trademark move and called a tune that no one in the band knew.

The scene played out like this:
Singer: (aside to band) Start playing “You’re always with me” while I talk.
Kurt: (turning to the rest of the band in panic while playing the first two chords –which happen to be the only part of the song he knows) Does anyone know this song?! I played it once. A year ago. I don’t remember anything accept these two chords!
Drummer: I don’t know it. I just have to play the drums.
Kurt: J-Dog, do you know this song?
J-Dog: I don’t know it. Just keep playing.
Kurt: (to the bassist) Do you know this song?!
Bassist: No, but I played it before.
Singer: (to audience) And what this song means to me is that…
Kurt: (to the bassist) Well, how are we supposed to play a song we don’t know? I remember it has a lot of changes in it!
Bassist: Yeah it do. Yeah it do.
Kurt: Well, what are we going to do?!
Bassist: You’re just gonna hafta feel your way through it, son. You’ll do fine.
Kurt: What do you mean I’ll do fine?! I don’t know the song!
Singer: (to audience) Bow your head for a moment to think about this.
Singer: (turning toward the band and speaking in a stage whisper) Kurt, it’s in F Major, not E flat! Move the key now!
(Kurt provides a not so subtle direct modulation up a whole step. The band follows.)
Bassist: You’ll do fine. Just feel your way through it, son. You’ll do fine.
Singer: (to audience) Amen.
And with that, she started singing.
When a rhythm section collectively improvises an accompaniment to a song that they don’t know, the musical interaction becomes a sort of rabbinic council. The singer provides the revealed truth of the note, and the sages begin to argue about its precise meaning. At times, the dramatic disagreement between the piano player and the bassist leaves the guitar player in the uncomfortable position of arbitrator. The piano player’s superior Talmudic knowledge and insistence on his argument can sway undecided voters. Occasionally, a semantic problem will arise where two outwardly different positions are sonically reconciled without either party giving up their original position. A rare serendipity can occur when all three come up with the same solution to the problem independently. The nightmare happens when the piano player and the bass player come up with completely different solutions to the problem but find the other’s argument more compelling than their own. In this situation, they may simultaneously abandon their original position in favor of the other’s point of view. They soon realize that the conflict remains unresolved by each taking the other’s position. They immediately concede for the sake of unity and return (once again simultaneously) to their respective original arguments. With the conflict unresolved, the singer moves to a new point of revelation.

I’m not sure if anyone in the audience noticed the amorphous nature of the accompaniment. As we were inventing a song on the spot, the singer must have felt as if she were crossing a stream on slippery rocks. Each time she went to plant her foot, the rock would shift underneath. She maintained her balance to the other bank, and when her foot again reached solid ground, I heard a voice behind me saying, “You did fine, son. You felt your way through. You did fine.” We played the rest of the job and left the gig. I knew about a local Thai restaurant from a previous gig in Deland that year, so J-Dog and I settled in for a meal before the trip back. I thought that the Thai tea would really help in the battle I was waging to keep my eyelids from snapping shut. With the exception of one hour, I had been awake and working for almost thirty-six hours. I was exhausted. After a two hour trip, I dropped off the J-Dog and returned home at 11:30PM. I headed to the back porch to talk to Jenn and drink a beer. Hindsight wears corrective lenses. When I look back, I wish I would have had about five beers so that I might have had an excuse for my behavior.

Avi, who was about 2 years old at the time, came down the stairs at 11:45PM. He was wearing the pitiful face that causes parents to immediately acquiesce to any request. “Will someone come and lay down with me,” he whined. I was the obvious choice, but a deal had to be negotiated first.
“Jenn, I can lay down with him, but I have to go to the bathroom first. Also, I need you to wake me up in forty-five minutes because I have to read for the music history lecture that I’m giving in the morning. You have to wake me up.”
“That’s fine,” she responded. “Why don’t you take that purple gift bag with the cards and checks and money into the bathroom with you. You can look through the cards while you’re in there.”
I grabbed the bag and headed to my favorite reading spot. I sat down and started going through the cards. The congregation had been very generous towards me. There were all sorts of cards conveying regret for my resignation. Some of the cards contained checks. Some contained cash. After reading through the cards, I decided to return them to the purple gift bag and separate the money in the morning. I flushed and headed upstairs to lay down with Avi.

I awoke at 1:15AM. As my eyelids scrambled quickly up the contour of my eyes, my mind’s foot slipped, and I went into free-fall mode. A queasy feeling entered my stomach as I began to process the sensory information confronting me. I reminded myself to remain calm and settled into the familiar groove of making sense of my idiocy. When one is in the regular habit of channeling for Don Quixote, it is advisable to create a safety checklist when approaching the train tracks of nincompoopery. I have always favored the “stop, look, and listen” technique. I blinked to clear my vision and found that the initial visual image remained intact. A life-sized image of my visage was staring back at me. I quickly realized that this was not a good omen. I was, in fact, standing in front of the mirror in the bathroom downstairs. Since I had not fallen asleep standing in front of the bathroom mirror, I soon deduced that whatever had happened since I went to bed could not be favorable. I decided to avoid this problem for the moment and proceed to the “listen” phase of the safety checklist. There was screaming creeping through the open bathroom door from the hallway. I recognized Jennifer’s “you bought me a humidifier for my twenty-first birthday?!” tone of voice. The words that formed the prologue to her tirade were profound enough to grasp the whole of our lives together with one hand. She began her synopsis with a paroxysm of righteous fury: “KURT! KURT! KURT! OTHER PEOPLE DON’T LIVE LIKE THIS!!! OTHER PEOPLE DON’T LIVE LIKE THIS!!! OTHER PEOPLE’S HUSBANDS DON’T FILL THEIR CARS WITH DIESEL FUEL AND BLOW UP THEIR BACK PORCH TABLES AND PISS IN PURPLE GIFT BAGS FULL OF MONEY!!!” I looked down in horror as the stream of urine I was producing was heading straight into the purple gift bag. On my best day, my aim is not that good with something as large as a toilet bowl. Now I was sending a perfect stream inside a small, shiny, purple bag. Worse yet, the bag was not anywhere near the toilet itself. It was on the floor in front of the sink and mirror. That explained my ability to see my reflected image. I immediately contracted my pelvic muscles and returned my attention to the screaming. “NOW, YOU ARE GOING TO TAKE THOSE CHECKS AND THE CASH OUT OF THE BAG AND DRY IT OFF IN THE MICROWAVE, AND YOU BETTER PRAY TO GOD THAT NONE OF THE INK RAN ON THE CHECKS!” The horrifying thought of having to take a check back to a congregant and ask for a new one came to mind. “Um…it got wet. Can you write me a new check?”
“Well, how did it get wet?”
“Um…I’d rather not say.”
Jennifer continued reliving her horror. “Kurt, I was in the kitchen. I heard you going to the bathroom. I heard the sound of water on paper. I thought that you were missing the toilet and hitting the scraps of wallpaper on the floor. Then I realized that I was not hearing the sound of water on water at all. I came around the corner and saw you standing in front of the sink peeing a perfect stream into the purple gift bag. You better hope that none of the ink ran on those checks.”

I hurriedly searched through the urine soaked envelopes and placed the money on a microwave-safe plate. I searched below the “popcorn” and “potato” buttons on the machine for a pre-set that said “urine soaked money”. When it was not found, I made a guess for around fifty seconds. I carefully watched so that none of the currency would burst into flames. When it was finished cooking, the money was dry but retained a faint, unpleasant odor. The smell was not unlike Thai tea that has been processed through a human digestive system. The checks survived the process with some ink smears evident, but they were all still legible. We made the decision to do an ATM deposit in order to avoid direct eye contact with a bank teller.

The occurrence of the purple bag incident led me to question my ability to become a productive member of society. Jennifer’s pronouncement was after all true. Other people didn’t live like we did. I began to formulate a list of significant events in my mind from the past few years for bullet points on a document I like to call resumé of a Kartoffelkopf.
1. Filled our car with diesel fuel leaving us stranded in Louisiana
2. Bought my wife a humidifier for her twenty first birthday
3. Newspaper article written about me for the dirtiest car in Dallas
4. Fired from church job for killing a rabbit
5. Exploded wife’s patio furniture
6. Urinated in purple gift bag full of money
There was an unmistakable pattern that had formed. I began to panic, and I asked myself, “How am I supposed to live a life when I don’t even know how to function properly in the universe?” Suddenly, I heard the voice of an old black man in my head. “You’ll do fine. Just feel your way through it, son. You’ll do fine.”

Tuesday, June 21, 2011

Aesthetic honesty and dishonesty



As some of the recent posts and comments have been swirling around, I've once again managed to stumble on an area that seems to raise controversy with artsy types. The question is, is there such an animal as aesthetic honesty. To be sure this is a complicated topic, and I will not attempt to cover it in one short blog post. However, I can begin the process of identifying the phylum. Here are some of Martin Buber's thoughts on the subject:

"The act [of making an art object] includes a sacrifice and a risk. This is the sacrifice: the endless possibility that is offered up on the altar of form...This is the risk: the primary word [here he is talking about the Ich und Du as opposed to the Ich und Es relationship] can only be spoken with the whole being."

It is especially this second part that is of interest in the question of artistic honesty. For Buber, there has to be risk in artistic creation, and the risk has to involve the whole being. Whatever may qualify as dishonesty, this does seem like a good starting place for a description. For example, when I first got that chance to get published, the publisher said, "We like this, and we want to publish it, but we need you to make the ending a little more Hollywood." I was in my early 20s, and I wanted to get published, so I did it. It was successful, but I always feel a little dirty when I hear the revised ending. The key here is that I didn't write the ending with my "whole being", but specifically that part that wanted notoriety and success. The motivation was not speaking with my whole being. It was specifically done to avoid risk of any sort and make the music more consumable for the general public.

The difficult part of this question is still the fact that some people seem to honestly hear music and paint paintings, etc. that is very accessible. They do it in honesty. Some don't. It's hard to be honest when you hear difficult music. I also apparently don't feel bad enough about the revised ending to return the royalty checks.

Sunday, June 19, 2011

Remembering Robert Helps


video


Here is a little hommage to my old teacher Robert Helps.  I wrote this piece a few years after he died as a sort of memorial.  Those of us who knew Bob all have stories that usually start with things like, "I remember when he came up to me one day and said, 'Kurt, I'll tell you the third dirtiest limerick that I know....' or 'Kurt, there are very few things in this world that I want to do for four hours at a time.  One of them is NOT listening to Wagner.'"  Bob would tell us stories about Aaron Copland, Virgil Thompson, John Cage.  He would talk about Sessions and Babbitt whose music he had premiered as a teenager.  The stories about Bob always return to his own incomparable playing and writing.  There is a nice web monument for Bob here.  You can also look him up in Groves Dictionary.   My friend David Matthews (not the rock musician) is playing in this recording.  I've placed various images of Bob from different points in his career to accompany the music.  I believe that I'm the only composition student that he ever accepted.

Friday, June 17, 2011

I care if you listen, but I don't care if you can analyze

  A few days ago on his excellent blog, Lane Harder brought up the interesting habit of contemporary composers listing the technical devices used in composition as a means of "introducing" their works to audiences.  You can read the post here.  Lane rightly criticizes this habit, and I suggested in my comment on his post that this tendency is a means of justifying something that is often sonically uninteresting.  As I further reflect on this practice (and I've been guilty of it at times), it seems that there are several other issues at work. 

1. A retrogression to a pre-Romantic aesthetic that would suggest that music needs to justify itself by resorting to another discipline (often mathematics but sometimes literature) to make a claim for legitimacy. 
2. The practice of equating complexity with beauty.  Very specifically here, the issue is not whether a work is complex in and of itself, but the idea that the composer needs to let the audience know just how clever he/she is.  (Imagine Bach including a note in his church bulletin that says, "Be sure to catch the bit where I invert the fugue subject in the third movement of the cantata this morning.")
3.  The post-structuralist tendency to analyze the unique gestalt of an art object by giving an autopsy to its component parts and then adding them up to re-establish the whole.  This gets into complicated epistemological questions, and I'm working on a forthcoming paper to untie the Gordian knot.  For now, let's just say that I think this approach provides us with a series of reductionistic images that can never reach the sum of the original object.
4.  A profound lack of a sense of humor which almost all the great composers of the past maintained - even the petulant ones like Richard Wagner.
5.  A lack of honesty and courage to simply write something because it's what you have to write.  Sometimes that's a complex thing and sometimes it's a simple thing. 

I once had a friend that got some sort of mathematical sequence from a lab for the AIDS virus.  He created a tone row from the sequence and wrote a piece based it.  He got a Fulbright.  I tried to hear it at a concert once, but I honestly fell sound asleep when he started playing and never heard the thing.  The music was uninteresting, but it received national attention because of the non-musical aspects.  All of which is to say, if Uncle Milton really didn't care if we listened or not, why did he bother to write the article?

Sunday, June 12, 2011

Gigging stories: The Death of Bun Bun and the House Nazis

(her name wasn’t really Clytemnestra)
(also, it wasn’t really called Walmart Memorial)

The worst decision we ever made was to move into the old parsonage of Walmart Memorial United Methodist Church. I became the Music Director at Walmart Memorial in the normal fashion. I had been employed as the organist. When the Music Director of the church had his affair with the previous accompanist, the resultant coup d’etat left me installed as the new leader. I have obtained two Music Director positions in the same manner. Both of the men I followed had the lack of sense to have their affairs in the church building itself. When this happens in a charismatic church, I found that aside from the removal of the leader, there are accompanying purification rituals. The room where the sexual act took place has to be anointed with oil and prayed over in order to exorcize the sexual demons. Walmart Memorial was a run of the mill Methodist Church, so, a church lady with some Lysol handled the only anointing deemed necessary. The unfaithful Music Director had been renting the church’s old parsonage. As he put down the baton, he also decided to leave the house, and Jenn and I asked about renting it. The house was a little nicer than the Mafia house we were renting before. It was in a much better neighborhood, and there was no driving to work. I simply opened the back gate and walked fifty feet to the church.
I hadn’t anticipated that living so close to my workplace also implied that my workplace would also live close to me. People felt free to come through the back gate and knock on the door if they needed to get into the church after hours. I was also put at the head of the list of people that the police would call if the church’s alarm went off at two o’clock in the morning. However, it was within walking distance of Zachariah’s school. It wasn’t perfect, but it was better than what we had.
After we had lived there for a year or so, the president of the church choir casually asked me if I wanted a rabbit. The question began a flood of visual images. I thought of that Veterinarian with his bare finger jammed into the back of Ellafuqenfugal. I thought of our short- lived experiment with Jane, the runaway dog, who managed to crap from one end of our apartment to the other before its rightful owner claimed her. I thought of Ellington, the dog that my sister had dropped off in our back yard when she went to grad school. I thought of the hole that Ellington somehow managed to create by breaking through the boards of the wooden privacy fence in his escape. I thought of the drive around the neighborhood and the call to my sister when he couldn’t be found. I thought of the hamster that died. I said, “No, Clytemnestra. Domestic animals and I…don’t get along so well.” So, Clytemnestra went to Jenn and casually asked her if she wanted a rabbit. Jennifer came to me one day and casually asked me if I wanted a rabbit. I thought of that Veterinarian with his bare finger jammed into the back of Ellafuqenfugal. “Clytemnestra got to you,” I said.
“It would be good. We could teach the boys responsibility.”
“No. You know how we are with domestic animals.”
“But, don’t you want a cute little bunny rabbit.”
“No. We don’t do well with these sorts of things.”
“There’s nothing to do. It’s a rabbit, and the boys would love it.”
“No.”
“It could be friends with our Guinea pig. You know rabbits and Guinea pigs are cousins.”
“No.”
The conversation continued until we arrived at a compromise. Normally, one thinks of the word “compromise” as the place where each side gives a little and a new position is formed that is agreeable to both parties. In marriage, “compromise” means something different than what we usually mean when we use that word. She said, “Yes.” I said, “No.” So we “compromised” and got the rabbit.
I am constantly amazed at how the universe works. You do what you can to avoid problems, but, despite your best efforts, you awaken one day to find that you’ve killed your father and married your mother. The most inconsequential decisions can cast you into the hands of God and set into play a course of events that leads to your downfall. I don’t know that stabbing out your eyes with broaches like Oedipus is the best solution, but it seems as good as any other. I have always wanted to write a short story about a person whose whole life was transformed by some insignificant action. They might leave a pen on a desk or drink half a glass of water. Three days later, their entire life has changed because of the event. However, before I had a chance to write the story, I accepted a rabbit.
Of course, the “getting of the rabbit” was done with all the requisite ritual. A car ride, a visitation, a trip to the pet store. Clytemnestra and her daughter couldn’t keep the rabbit anymore, and they were “so delighted” that it could find a loving home. Clytemnestra called the rabbit “Bun Bun,” but Zachariah liked to call it “Hopper.” I don’t like that. If I named our animals after actions that they did or what they were like, I would have named it “Poop-er” or “Die-er.” Instead, I had to resort to the definite article and call it “The Rabbit.” This was a defense mechanism. I have always used the definite article to prevent myself from becoming emotional involved with animals. It was necessary in this case. The rabbit was pretty damned cute. “Hopper” entered our lives and followed the normal track of domestic animal life in our household.

Week 1
Bun Bun is loved and adored by all. It freely scampers about the living room leaving little droppings on the floor. “Oh look how cute! It has little tiny poops,” they all say. “Let’s clean it up and watch it go again.” “Sweet little Bun Bun.” “I get to clean out the cage today!” “Look, Hopper, treats from the pet store!” I am amazed at the responsibility that the boys are learning.
Week 2
Bun Bun is loved and adored by all. She stays in the cage next to the television only slightly more often. Three times during the week she is allowed to bounce around the living room and leave her fecal pellet trail. The boys follow driving their little “pooper-scooper” bulldozers along the parade route. There is less arguing over whose day it is to clean the cage.
Week 3
Bun Bun spends the entire week in the cage. She doesn’t participate in any parades. When she is finally released, the clean up crew is nowhere to be found.
Week 4
Bun Bun lives in the cage all the time. The joy of cleaning her excrement from the floor has somehow lost its luster. The cage does not get cleaned unless the children are forced to do it. I begin to see sorrow in the rabbit’s eye when I walk past the cage. Hopper begins to communicate with me telepathically when I am in the room. “Kurt, let me out of the cage. Let me poop on your floor. Remember how happy I was jumping and skipping and pooping? Why did you take that away from me? I am an animal from the woods. Woodland creatures like to go to the bathroom in lots of different places. I don’t like to pick a favorite toilet for my bowel movements, and you have made me go in this cage all week. I need to go in different spots. Kurt, you knew they would lose interest in me, but you still agreed. Should I have to suffer because of them? Help me, Kurt. Look into my adorable eyes. Please, please let me poop all over your floor.”
Week 5
The cage is starting to smell. When it is my turn to feed the rabbit, I develop a routine whereby I can lift the lid of the cage and pour in the food and water without ever making eye contact. It’s very much like following the rules that men abide by in the bathroom using a public urinal. You are allowed to stare down or at the wall in front of you. You may not make eye contact, and conversation should be reserved for the hand washing time. When Bun Bun attempts to communicate with me telepathically, I thwart her efforts in actions that follow the Kubler-Ross stages of grief.
DENIAL – I walk into the other room pretending that I didn’t hear her talking to me.
ANGER – “Look,” I say, “I didn’t want you in the first place. It’s not my fault that you are in this situation. Quit talking to me, and talk to Jennifer and the boys.”
BARGAINING – “If I take you out of the cage, will you promise not to do anything that would risk our relationship? I feel that we are in a cooling off period right now, and physical contact would only damage something that is hanging on by a thread.”
DEPRESSION – “Why does this always happen to me? I should say, ‘No.’ Wait, I did say, ‘No.’ I didn’t really say it though. I ‘compromised.’ Now I have to walk around feeling guilty because I was the only one who knew what would happen, and I didn’t stop it.”
ACCEPTANCE – “Bun Bun?”
“Yes.”
“I have come to terms with the fact that I am not a rabbit cage cleaner.”
“Yes.”
“If you are going to live here, you will have to live here with someone who does not care for you like he should. It doesn’t mean that I don’t love you. I’m sorry that I can’t treat you in the way that you deserve. I’m sorry that you can’t live like your forest friends and poop wherever and whenever you want, but I have needs too. Right now, at this point in my life, I have a need not to have little pellets of poop all over my floor. The only way I see that happening is if you stay in the cage.”
Her tears begin to flow, and I ask, “Do you still want to stay?”
“Yes,” she answers.
“Even though you know what that means?”
“Yes.”
So, Bun Bun stayed and lived next to the TV set. Her cage was cleaned out occasionally, and she did her best not to give me that look with the big eyes and the pouty lip. When she attempted the occasional emotional power play, I simply reminded her of the agreement that she had made. We did our best to continue our tenuous cohabitation with as little drama as possible.
Time went by in its own inimitable way at the parsonage. We lived, ate and drank, went to work, and did all those other things that people do when they take up residence in a domicile. This domicile was different, however, because it was owned by a church. Around two years after we moved into the house, the members of the church’s Board of Trustees began to get nervous. The Trustees got a notion into their collective heads that Kurt and Jennifer’s lifestyle might have been a little more bohemian than they anticipated when they first rented the property to them. I’m not sure if it was neighbors complaining about beer bottles and cigarette butts being left on the front porch or the gigantic pit that had been dug in the back yard. I originally dug the pit to fill sand bags during a hurricane evacuation. The same two engineers that used to drive “pooper-scooper” bulldozers behind “Hopper” subsequently expanded the hole. The canyon in the backyard had reached mammoth proportions. Aside from the neighbors and the pit, I was also received news from an informant that a certain man on the Trustees Committee was very offended that I didn’t tuck in my shirt very often during the week. Whatever the reason for the displeasure, I was informed that the Trustees Committee was forming an inspection team to take a tour of the house. They would make sure that we were keeping our house in a manner that would befit a Methodist Music Director. The inspection team would report back to the Trustees Committee. The Trustees would then assess whether or not the church was being a good steward of its property by renting the house to its rather unkempt Music Director and his family. The inspection team informed us that it would arrive on a Monday night in the near future. We began to make preparations for the arrival of the group that we affectionately called “The House Nazis.”
Our cleaning process followed the pattern we had established early in our marriage. When a great cleaning needs to take place, you wait until the contractions are about two minutes apart, rush out to buy a twelve pack, and stay up for two or three days getting the work done. An entire weekend was spent in a cleaning/sleep depravation experiment. The carpet was in such poor condition that we decided to rip it up and expose the terrazzo. Bedrooms were cleaned, floors were mopped, and extraneous material was piled in the garage. Bun Bun was moved during the process. She was temporarily placed in the back yard in the first phase of a cage relocation project. Monday morning arrived late and found the house cleaned several hours before the inspection that night. The current of people that flowed from the church through the back gate had swollen a little from a mild rain of problems that morning, and I invited them into the house showing off its clean-shaven face. Clytemnestra the Rabbit Giver even meandered through the fence to borrow something from the garage. The church used our garage as a storage facility for old props, chairs, and a large wooden cross. Jenn arrived home from her job managing a bank. We ate dinner and waited in confidence and hatred for the arrival of the House Nazis.
They arrived in a group of six or seven with their uniforms and insignias hidden beneath every day clothes. The women in the group were even nice to us. It was the sickening, saccharine “nice” that people with authority use to assuage their conscience. It was a judge smiling at you and telling you you’re having a good hair day before she passes the sentence of your jail term. The whole inspection only took about half an hour and was handled cordially. Afterward, we shook hands, and they told us they would be in touch with us soon. We knew we had passed inspection as we sat on the couch in relief. The relief was tempered by the feeling that a group of people had been peering into the corners of closets where they weren’t welcome. If your parents see you naked after you’ve reached a certain age, you know that you shouldn’t feel violated. At the same time, you wish they hadn’t seen you. The inspection team was just doing its job for the Trustees, but I wouldn’t trust them to follow the rules at the urinal anymore. They would probably talk and look sideways.
I awoke the next morning to a clean house and the sense of emancipation that accompanies the end of an ordeal. After getting Jennifer off to work and the boys off to school, I walked out the back door to make the fifty-foot trip to work. I turned to the left and looked over at little Bun Bun in her cage. Little Bun Bun was making eye contact, but she wasn’t talking. As I approached the cage, I found that her eye was pressed against the side of the cage in a non-blinking stare. Her eye was surrounded by a body that was lying upside down. Rigormortis had already set into legs that were pointing into the air in a death pose. It looked as trite as a cartoon. When I noticed the first flies accumulating around the hasenpfeffer, I thought to myself, “Oh, no! I have to get rid of that before the boys come home from school.” Fortunately, I had already worked through the Kubler-Ross stages of grief many months before and was emotionally unaffected by the loss. I formulated a plan: Go to work for a few hours, come back, and bury the rabbit during my lunch hour. I continued the remaining forty feet into the narthex of the church. A few seconds later, my life began to change dramatically.
When I opened the church doors, I was surprised to find Clytemnestra waiting for me. “Hi, Kurt,” she said smiling. “When I came over yesterday, I couldn’t help noticing that little Bun Bun’s cage hadn’t been cleaned out in a while. So, yesterday after work, I went to the pet store and bought some fresh bedding and rabbit treats at the pet store. Do you mind if I go into your backyard and clean out her cage and give her some special treats?” The thought of that eye pressed against the side of the cage flashed briefly in my mind before I responded very matter of factly, “Clytemnestra, the rabbit’s dead.” I walked away. It really was no big deal to me. I was never attached to the rabbit. I cared little whether it was alive or dead, and it was probably happier now making little rabbit poops all over the forest in bunny heaven.
I arrived home at lunch and managed with the aid of some gloves to fit the rabbit into an old shoebox. The boys and I buried the now beatified hare near a tree. We sang a truncated requiem and moved on with our lives. On Wednesday, I prepared for choir practice. The leader of the House Nazis who doubled as an alto informed me that we had passed the inspection with one caveat. Our garage wasn’t clean enough. I wondered what the garages of the inspection team looked like. I wondered if the church had stored props from old plays in their garages like they had in ours. I wondered why Clytemnestra had not shown up to choir. She was the president after all. I asked the pastor’s wife about Clytemnestra. “Kurt,” she said, “someone found Clytemnestra in the church yesterday. She couldn’t go to her other job. She had been crying for about two hours over the death of the rabbit. Apparently her daughter also missed a day of work because she developed a migraine after hearing of the rabbit’s death. She is so angry at you that she wouldn’t come to practice.”
I was in shock. Clytemnestra had always been a United Methodist as long as I had known her. How was I to know that hiding underneath that Wesleyan exterior was a smoldering mixture of St. Francis and Ghandi with chunks of the Buddha bubbling up to the surface? I went home and told the whole story to Jenn, and we took turns in an incredulity contest. “She missed work over this?” “Her daughter missed work too?” “Over a rabbit!?” We took turns shaking our heads in amazement and disbelief.
I found Clytemnestra waiting for me again in the narthex when I arrived for work the next day. She said very curtly, “We need to talk.” We agreed to meet on Sunday night. I’m not exactly sure when Jennifer started singing the “Kill the Wabbit” adaptation that Carl Stalling wrote from Wagner’s “Valkyrie” leitmotif for the Warner Bros. Cartoon “What’s Opera, Doc?”, but it probably began around this time. It continued as my personal leitmotif for the next few months. I began to prepare myself, as best I could, for the Sunday night confrontation. I briefly considered a combative approach where I would cite some Protestant source that proved that animals didn’t have eternal life. I eventually decided to gird myself with as much Christian charity as I could pray up on two days notice. I would not argue. I would do nothing but apologize for the wrong I had done. This was a difficult beam to balance. I didn’t think I had done anything wrong. I figured that in some cosmic sense, it would have been better to have one living rabbit in a cage in the back yard of my house than a dead one buried under a tree. I could, therefore, apologize for unbalancing the universe to that degree, and pray that I would be able to patiently bear up under any abuse without overreacting.
I entered the office where we agreed to meet and positioned myself in a chair. I paid careful attention to my body language, attempting to strike a pose that suggested a balance between an eager listener and a remorseful contemplative. I looked up to meet Clytemnestra’s eye and hear her concerns.
Clytemnestra exploded upon me like a wounded animal in a paroxysm of fury. She began screaming at the top of her lungs in anger. The comfortable distance between us quickly eroded as she rushed me and placed her face six inches from my own. Epithets were zooming around the room too quickly for me to anticipate. She was pacing again, but still screaming and not waiting for any response. I used the temporary space between us to brace myself for the next onslaught. Round one dealt with the horror that Bun Bun endured in her final hours. She screeched about how living in the unclean cage had made Bun Bun incontinent. She was six inches from me again and wailing about the suffering that Bun Bun experienced. All was good thus far. I could certainly apologize for the suffering and the incontinence. I wasn’t sure how she had such intimate knowledge of the rabbit’s urinating frequency by simply walking through the back yard, but I felt that asking about it wouldn’t be appropriate at this point. I offered my simple apology for the rabbit’s death. Round 2 began. Her voice came in the short, sharp barks of a dog that has been bread too small. It had to do with the wider implications of the rabbit’s death. You see, the rabbit’s death under my care meant all sorts of things that I never realized when I first accepted the animal by saying “No, Clytemnestra. Domestic animals and I…don’t get along so well.” The rabbit’s death meant, according to Clytemnestra, that I was a bad husband, a terrible father, that I was doing psychological damage to my children, and it even had implications concerning the veracity of my Christian faith. She alternated the space between her face and mine occasionally from six to eighteen inches. The vocal range spanned a dynamic from screaming to yelling.
Rounds three through eight continued over the next forty-five minutes. Unfortunately, I can’t tell you much about the content of those events because of the peculiar form of Walter Midi Syndrome from which I suffer. Unlike Walter himself, I do not go off to hunt elephants in Africa. I am a musician. I first begin to lose interest in what someone has to scream at me when the sound of the voice becomes more interesting than the content of the speech. From there, I become fascinated by simple superficial appearances. As bellowing and berating continued, I escaped into my thoughts.
“Hmm. That sentence was a major third from the highest yell to the lowest – She’s really yelling loudly – I wish I could get her to use that kind of support and diaphragmatic breathing in choir – How could someone get this angry over a rabbit – That sentence spanned a major sixth – She’s really getting angry now – Look how weird people look when they are angry – It’s sort of like when their sad – Perfect fourth, must be settling down – The face contorts and almost doesn’t look human – Look at the spittle in the right corner of her mouth – No! Don’t look at the spittle! Maintain eye contact - Has it really been forty-five minutes? – Is this ever going to end?”
It did end, but Clytemnestra had saved a surprise for round nine. It began, and I prepared myself for the conclusion. Not a great match, but I had at least withstood forty-five minutes of screaming (the likes of which I hadn’t experienced since Mrs. Murray attempted to kick me out of the Junior Beta Club in seventh grade). The bell sounded and Clytemnestra calmed her tone of voice when she left her corner. I relaxed momentarily and she surprised me with an uppercut that jarred me out of my introspection. “So anyway, I’ve been collecting negative comments about you from around the church for the past six months, and I will be presenting them to the Personnel Committee tomorrow night.” With that, she walked out of the room. I walked home and told Jenn who responded with a rousing chorus of “Kill the Wabbit.”
As my informant later reported, the meeting on the following night included a tale of operatic proportions about a savage music director who accepted a rabbit. The plot of the gruesome tale was recited very effectively replete with dramatic pauses and tears. In addition to rabbit killing, I was also guilty of several other sins that, if not mortal, were certainly enough to warrant some sort of action. Clytemnestra had recruited another choir member as well as the ultimate authority of the church – the pastor’s wife. I was guilty of being organizationally challenged, not being friendly enough with some of the singers, and not smiling enough. A few days after the meeting, I received a letter that outlined all of my spiritual maladies. The chief of my problems was that I “didn’t smile enough.” It was from a choir member that agreed with Clytemnestra. The letter included a list of sins of which I was supposedly guilty. Each sin had been deduced and enumerated in Holmesian fashion from the single clue of my “smile-less” countenance. Several weeks later, the letter writer apologized and confessed that she had really only complained to the committee and written the letter because she was upset about the rabbit. Another Methodist bodhisattva had infiltrated the ranks of the church committee to defend the cause of Christ-like conies. The apology was tantric – much appreciated, but it came late. The committee had already decided to take action.
First, they decided to write a job description for me. Second, I was to be put on an action plan. Strangely absent from the action plan were any attempts to curb my callous treatment of rabbits. The action plan had more to do with setting up an extra rehearsal and having regular office hours. The pastor attempted to counsel me about the smiling problem, but his apologetic manner suggested that he found the charge too ridiculous to take seriously. I suggested some kind of joy-o-meter or smile-o-meter to aid in the evaluation process. I even reminded him that the book of Ecclesiastes says that “a sad face is good for the heart,” but the real problem was that the accusation about not smiling was true. I was on an action plan at work because a rabbit died in my back yard. There is almost nothing in the whole world that can drive away your joy like being evaluated as a poor music director because of bad animal husbandry. As the job description portion of the plan progressed, my representative on the committee attempted to get the church to acknowledge that I had been putting in sixty hours a week for over a year. The church had me listed as a part time employee working thirty hours a week. A second meeting took place where my advocate argued that I should be made a full time employee and given a raise. Something good had finally emerged from my insensitivity to long-eared animals. I awaited the results with eager anticipation. I began to see God’s purpose in letting Bun Bun live and die with us. Bun Bun had given her life so that I could get a raise. I felt the smile-o-meter’s needle climbing.
The next day, the pastor called me. “Kurt, something totally unanticipated happened at the meeting last night. They didn’t approve the raise. They decided that you are going to continue at your same salary through November 1st at which point you will no longer be employed by the church.”
“Are you serious,” was the response that erupted from my mouth after several moments of silence spent attempting to process the information.
“Yes. I didn’t see this coming at all. I guess you better let your people know.”
“OK.” Click.
I spent the rest of that day calling all the members of the band at the church and attempting to explain what had happened. It was not very easy.
“Hey, Pythias. Do you have a second?”
“Sure.”
“Ummm. I got fired at the church.”
“What?!”
“Yeah. The Personnel Committee decided that I should be employed through November 1st. After that date, I will no longer be employed by the church.”
“Why?!”
“I’m not really sure. They didn’t say. We had been working on a job description, and there have been some problems.”
“When did this all start?”
“About a month ago.”
“What happened?”
“Well, do you remember that rabbit that Clytemnestra gave me?….”
I received a phone call from the pastor again the following afternoon. He was more agitated than he had been the previous day. “Kurt, the office has been flooded with calls, and I’ve had meetings with people who are extremely angry. Are you telling people that the church fired you?”
“Yes.”
“You can’t tell people that!”
“But, you did fire me.”
“You need to tell people that you resigned.”
“But I didn’t resign! You terminated my employment. You don’t get to do that and then tell everyone that I resigned.”
Another personnel committee meeting was assembled. This time, all of the people in the music program that thought I was doing a wonderful job were told about the meeting and were permitted to attend. At the end of a long boring talk where S.P.C.A. members were not allowed to raise issues, the committee decided that I should be re-hired, and my termination date was revoked.
The church and I continued in our relationship only as lovers who have broken up and tried to remain friends. It was like trying to live with a rabbit after you’ve agreed not to clean out her cage very often. It lasted a few short months. Jenn and I bought a house and moved away from the inspection team. Unfortunately, a disgruntled member of the committee (who had worked so hard to get me fired) soon claimed that we had not paid our first and last months rent. He simply garnished my wages without telling me. This resulted in a phone call during which he started screaming at Jennifer. I resigned the next day.
I’m really more bewildered than bitter when I reflect on the fact that I lost a church job by killing a rabbit. I’ve worked through all my forgiveness issues even after the church threatened to sue me for possession of the music that I wrote while I was employed there. As a family, we’ve worked our way through a few more domestic animals as well. After Bun Bun died, we lost Guiness the Guinea Pig, Spike the Florida Scrub Lizard, one mouse that died in a cage, one mouse that crawled out of it’s cage and was accidentally crushed to death by Jennifer during its capture, and Scratcher the Turtle who was released into a local lake. Our short experiment with a family fish tank ended after a trip to the fair. The boys won gold fish as prizes at the ring toss. When inserted into the family tank, the Carny fish consumed the pet store fish in one night. We took our anger out on the Carny fish by putting Scratcher the Turtle in their tank. He finished off the Carny fish faster than the man at the ring toss can take your money. All of these animals have been gathered to their fathers without negative affect on my employment.
After taking two weeks off, I took an interim job at a charismatic Methodist church where the music director had just been terminated for having an affair with the accompanist.

Thursday, June 09, 2011

Rilke translations: Du, Nachbar Gott

I'm getting ready to get ready to work on a new song cycle for my friend Carrie Kirby.  It will be a setting of selections from Rilke's Stundenbuch.  They are poem's from the perspective of a medieval monk.  In preparation, I'm going to start offering some of my translations.  Here is one that will definitely make the cycle.  (I'm still setting the poems in German, of course.)

Du, Nachbar Gott, wenn ich dich manchesmal
in langer Nacht mit hartem Klopfen störe, -
so itsts, weil ich dich selten atmen höre
und weiß:  Du bist allein im Saal.
Und wenn du etwas brauchst, ist keiner da,
um deinem Tasten einen Trank zu reichen:
Ich horche immer.  Gieb ein kleines Zeichen.
Ich bin ganz nah.

Nur eine schmale Wand ist zwischen uns,
durch Zufall; denn es könnte sein:
ein Rufen deines oder meines Munds -
und sie bricht ein
ganz ohne Lärm und Laut...

You, neighbor God, if I sometimes disturb you in the long night with hard knocking, -
it is because I seldom hear you breath and know:
You are alone in the room.
And if you need something, there is no one there to get you a drink.
I always hear.  Give a small sign.  I am always near.

Only a small wall is between us,
through chance; it can be:
a call from your mouth or mine -
and it breaks without a noise or sound.

Wednesday, June 08, 2011

Missa Prolationem remembered

I've been thinking about my mass again.  It may well have been the single most amazing performing experience of my life.  So many things came together at the last minute.  The things that didn't quite come together were subsumed in the cumulative effect of the emotional journey.  I still find myself thinking randomly gracious thoughts to the amazing Chiara Quartet, Therees Hibbard, and the indefatigable UNL Chamber Singers for going above and beyond all bounds to rehearse the music outside of their normal rehearsal time.  To have the whole experience culminate in the University giving a musician the prize for the outstanding dissertation for the first time in the history of the award was almost too much to imagine.  As I look back, I'm especially proud that I kept to the Ockeghem ideal of hiding the artifice deeply within a convincing musical texture.  I think it's time for someone to mount another performance.

Here are the links to the premiere with the basic descriptions of the movements.

I. Kyrie
Solists and choir sing in different time signatures at the same time
II. Gloria
A Triple fugue gradually unfolds in which each subject is in a different time signature.  Ultimately, all three subjects interlock at the climax.
III.  Credo
A series of canons (exact, inversion, and mensuration are all used) that begin at the octave with each successive canon at an smaller interval until we reach the unison.  (Of course, the crucifixus is set as a canon at the tritone).
IV.  Sanctus
Just mostly fun with some juxtaposed time signatures
V.  Agnus Dei
No imitative counterpoint here, but each part functions in a different prolation.

Thursday, June 02, 2011

For my musician friends when you are discouraged...

In a wonderful passage from Phaedrus, Plato tells us the relationship between the soul’s apprehension of truth and the corresponding occupation of the person inheriting it.  He says that “the soul which has seen most of truth shall come to the birth as a philosopher, or artist, or some musical and loving nature; that which has seen truth in the 2nd degree shall be some righteous king or warrior chief; …the 3rd class shall be a politician or economist, or trader; the 4th shall be a lover of gymnastic toils, or a physician; the 5th shall lead the life of a prophet or hierophant; to the 6th the character of a poet or some other imitative artist …the 7th the life of an artisan or husbandman; to the 8th that of a sophist or demagogue; to the ninth that of a tyrant”.  We certainly understand these terms and professions in a somewhat different sense than Plato did.  What is significant here is that this hierarchy would probably have been no more accepted in Plato’s time than it is now.  The world at large will always value the politician and the economist more than the lover of truth, the artist, and the musical and loving nature.  When you are discouraged about your art, you should remember that what we do has the power to transform lives in a way that is beyond the reach of any politician, business man, or physician.  When the conditions are right, we get to have contact with the most intimate inner lives of our audience.  That is a high calling and an incredible responsibility.  Use your powers for good, and don’t give up when “the mob is swayed to carry praise or blame too far.”  It will sometimes happen when you are on your adventure that the most insignificant object can become the magic key that opens the door to a new universe for some of your traveling companions.